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I'm Your Man: The Life of Leonard Cohen, by Sylvie Simmons
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Review
“I’m Your Man is the major, soul-searching biography that Leonard Cohen deserves... a mesmerizing labor of love.” (Janet Maslin, New York Times)“A thoughtful celebration of the artist’s life...Simmons has deftly narrated Cohen’s evolution... In the end, this biography has the oddest effect: as soon as you finish reading it you feel an overwhelming impulse to go back and begin again, revisiting the story with what you’ve learned along the way.” (A.M. Homes, New York Times Book Review)“A new gold standard of Cohen bios.” (Los Angeles Times)“This is the bio Cohen has long deserved, and it makes every prior Cohen book practically unnecessary.” (Rolling Stone, 4 1/2 Stars)“The book is a seductive tribute to a master seducer.” (The Onion A.V. Club)“A deep, enlightening book. . . Simmons, a music journalist and short-story writer, knows how to research and write and keep a critical distance from Cohen, who opens up some but uses his usual weapons, politeness and self-deprecation, to maintain an air of mystery.” (The Oregonian (Portland))“Leonard fought darkness through his work and... the light ultimately prevailed when he triumphantly toured the world for three years beginning in 2008... ‘You could hear the hairs stand up on people’s arms,’ writes Simmons of the hushed reverence of his audience. This book demands a similar reaction.” (MOJO Magazine, 5 Stars)“This is a revelatory biography that investigates not just an artist’s life, but the life of his art.” (Shelf Awareness)“In I’m Your Man, we see not only the life of one man who was transformed by words, but how we ourselves may be transformed by them.” (New York Jewish Week)“Simmons’ rich, compelling and provocative book... is a star-studded but also frank account of how the music industry really works and, at the same time, a discerning portrait of one especially important musician.” (Jewish Journal Los Angeles)
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From the Back Cover
Leonard Cohen, one of the most important and influential artists of our era, is a man of powerful emotion and intelligence whose work has explored the essential issues of human life—sex, religion, power, love. Cohen is also a man of complexities and seeming contradictions: a devout Jew, who is also a sophisticate and a ladies' man, as well as an ordained Buddhist monk whose name, Jikan—"ordinary silence"—is quite the appellation for a writer and singer whose life has been anything but ordinary.I'm Your Man is the definitive account of that extraordinary life. Starting in Montreal, Cohen's birthplace, acclaimed music journalist Sylvie Simmons follows his trail, via London and the Greek island of Hydra, to New York in the sixties, where Cohen launched his career in music. From there she traces the arc of his prodigious achievements to his remarkable retreat in the mid-nineties and his reemergence for a sold-out world tour almost fifteen years later. Whether navigating Cohen's journeys through the backstreets of Mumbai or his countless hotel rooms along the way, Simmons explores with equal focus every complex, contradictory strand of Cohen's life and presents a deeply insightful portrait of the vision, spirit, depth, and talent of an artist and a man who continues to move people like no one else.
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Product details
Paperback: 592 pages
Publisher: Ecco; First Paperback Edition edition (August 27, 2013)
Language: English
ISBN-10: 0061995002
ISBN-13: 978-0061995002
Product Dimensions:
5.3 x 1.3 x 8 inches
Shipping Weight: 15.2 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
328 customer reviews
Amazon Best Sellers Rank:
#107,231 in Books (See Top 100 in Books)
Sylvie Simmons follows the life of Leonard Cohen as she delivers a remarkable account of one extraordinary life. A famous poet, a great artist in music, his personal life, and much more. Cohen's goals and achievements are noted as well as his success in music and poetry. The author includes interviews from the people who were closest to Cohen from the start of his career, following his accomplishments. This insightful, brilliant story reflects on his dreams, his motivation, and his persistence to perform well. Simmons tracks his footsteps from the young man who just started his life to one of the most important artists in the world. An inspiring and enjoyable portrait of a famous artist that grabs the reader's attention in the first chapter. Highly Recommended to music and poetry lovers!
It was in the winter of 1969, June to be precise, and it was refreshingly cool for a change. An interlude. Seven days away from the war, and I am not speaking of the one between the sexes. As would happen so often in subsequent years, the lyrics rolled around in my brain, as I stood on the shore of Sydney harbor: "...and the sun poured down like honey, on our lady of the harbor." The sun indeed felt like honey in the coolness... and there was so much more, just in that one song: that eternal aspiration for someone who liked his physics: "...and she gets you on her wavelength, and makes the river answer, that you have always been her lover..." `Lo these many years later, and thanks to the truly excellent biography by Sylvie Simmons that I finally learned that the harbor was Montreal, and the China that had been (relatively) so near to me, for the past ten months, the origin of those famous teas and oranges that Suzanne so graciously provided, had a local market run by some folks equally far from home, in that most beautiful of Canadian cities. Sure, the version that I loved was sung by Judy Collins, but I had tucked away in one of those cranial recesses, that the man who had provided a bit of peace, tranquility, inspiration, and even a bit of hope was Leonard Cohen.Cohen actively collaborated with Simmons in this impressive work. Typical of the ever so self-deprecating Cohen, he just wanted to make sure it was not a "hagiography," and it is not, and is all the stronger for it. It is a fitting tribute to him, and proved to be an essential read. There were so many missing pieces between the lyrics, and so much background for them, and Simmons provides much, but is content to leave some ambiguity on the table, just as Leonard would have.Leonard Cohen's ancestors, Lithuanian-Russian Jews arrived in Canada in 1860. When Leonard came around, in 1934, the family was prosperous upper middle class clothiers, and hence his tastes for suits, which is referenced in the title to the first chapter. He explored the docks and bars of Montreal in his youth, attended McGill University, wrote some good poetry, but as most folks know, you can't make a living that way, which forced him into music. Off to NYC, a couple of the right intros, and he was off to continued obscurity in the United States, but developed a strong following in Europe. He lived on the Greek Island of Hydra, where he met the Norwegian model, Marianne. He is a "Lady's Man," but not the type that would "notch a bedpost"... with the right chemistry, things just seem to happen. He lived with fellow Canadian Joni Mitchell for a year, and told the world once about a tribute from Janis Joplin in the Chelsea Hotel. "You can't tell the players without a scorecard," as they once upon a time cried at the stadium entrance. But Leonard seemed to be scorecard-less, summed up with his classic line: "I can't keep track of each fallen robin."Like Sir Richard Francis Burton before him, he tried on a few religions, reflecting the spirituality of his lyrics. He found a guru, of sorts, but mainly a friend, in Roshi, Joshu Sasaki, who is still alive at 107, and is famous for saying "Excuse me for not dying." (The most recent controversies concerning Roshi, surfacing in 2013, did not make this bio, published in '12). Cohen became an "ordained" Buddhist monk under Roshi's guidance... but then went off to India, in search of a Hindu guru. While being a monk, he was betrayed by his long-time financial manager, Kelley Lynch, and lost all his retirement money. The world, and perhaps Leonard, is better off for it. He "dusted himself off" and at the age of 73, skipped back out on the world stage, performing concert after concert to sell-out crowds, recouping his losses and more. And it was no "farewell tour," some of his best work may have been produced in conjunction with it, complementing the subject "Hallelujah". On tour, his wit was always with him, and he'd tell the audiences that the last time he was on tour he was "sixty years old, just a kid with a crazy dream."His most fervent fan-base will appreciate his comments on aging:"Everything changes as you get older; I never met a woman until I was sixty-five. Instead, I saw all kinds of miracles in front of me."And there is so much else in this very excellent biography, in which Simmons weaves his lyrics, for the "au courant," and presents balanced assessments, just as you might imagine Leonard doing. Europe and the United States. I thought Simmons nailed the qualities of Cohen's music perfectly: "dark humor, old-world romance, existential gloom and poetry." Why is this so much more popular in Europe than in the United States? A question to discuss, but never to answer, so cherie, just "Dance Me to the End of Love." 6-stars.
It is perhaps the best written biography I have ever read. Sylvie brings many of those who she uses for her information into the biography by interviewing them and getting their direct input, not her interpretation. It is detail, it is without bias, it is compelling to read and answers so many questions I had about Leonard's life, even though I had been familiar with him since 1971. It also dispels so many of the erroneous comments present to the world by the media. It is a highly recommended book for anyone who appreciates The Man, Leonard Cohen....
This book as well as Mr. Cohen's earthly time have ended. I don't usually read biographies, especially ones that read like "hagiography." This one--at the subject's request--did not. The biographer covered her subject in intimate and thorough detail. Reading it felt like living his life with him--from birth to late life with every woman, every drug, every writer's experience and life event in between. So many memories I share with someone I only knew through his words and music, yet intersect and parallel as members of roughly the same generation. All the names and places I recall from my own youth. Some may feel the author repeats information yet to me these parts felt as if I were remembering, reminiscing Leonard's memories along with him. Did I want the mysterious songs explained? Probably not, but they are still beautiful and calming, serene as a meditative moment. And it was worth it to get inside the workings of a mind of a great poet. So long, Leonard Cohen. There will never be another artist like you.
This biography of Leonard Cohen deserves the praise it has won as the definitive account of his life. But this does not mean it has no shortcomings.The most glaring omission is that it was published before Cohen’s last album and subsequent death. So while a vivid portrayal of Cohen is shown to the reader, the denouement is lacking.And, while one gets as close a picture as one can of this inchoate and somewhat reclusive troubadour, a real appreciation of his work, particularly his works of poetry, is absent. For an artist who so often expressed his wish to be sincere in his art, there is room for a biography that gives more heft to his intellectual efforts.But if you want to be acquainted with the details of this extraordinary man’s life in lively and engaging prose you will not be disappointed. Overall, an enjoyable way to get to know one of the most important musicians of the twentieth century.
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