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Jumat, 24 Juli 2015

Download PDF The Mind's Eye

Download PDF The Mind's Eye

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The Mind's Eye

The Mind's Eye


The Mind's Eye


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The Mind's Eye

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Audible Audiobook

Listening Length: 8 hours and 44 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Random House Audio

Audible.com Release Date: October 26, 2010

Language: English, English

ASIN: B004993C58

Amazon Best Sellers Rank:

the chapter where dr. sacks describes his own vision loss was my absolute favorite. if only more people had highly trained medical friends they could just phone up to check on them whenever they were experiencing problems. it is a very frightening experience to lose one's vision. and imagine doing so outside of a city, without public transportation, or an assistant to take you everywhere you need to go whenever you need to go there.i'm very glad my vision is back and i've done all this research and worked with my doctors to determine the cause (not a brain tumor). but for the almost full year it was either gone or wrong it was hell, especially for an impatient person like myself, who could barely do the necessary research to help determine the cause without being able to read properly. it makes you feel very vulnerable, and nervous, and dependent. dr. sacks obviously felt the same way.i think it's important for people to realize that doctors are humans, not gods. they suffer the same maladies we do, and make mistakes just as often. it is also crucial for doctors to remember this as well, for when, if ever, they become the patient.

Oh terror of terrors, to start losing your ability to see letters and connecting them together into words. Visual anomalies, the stuff of nightmares with names such as alexia, agraphia, agnosia,anomia, prosopognosia (face blindness) etc. May the odds be with you! A reminder of the things we take for granted and we could lose with no warning and so, like they say: count your blessings!Oliver Sacks delivers another annotated and poignant account of real cases, including his own with a melanoma tumor on his retina, of people faced with these conditions. Another fascinating look at how the brain works and more specifically of how vision is interpreted by the brain. For me, a special new appreciation for life in a three-dimensional world. This is a remarkable testimony not only of the power of adaptability and creativity of the brain, but the different ways people find to cope and thrive despite their circumstances. Oliver Sacks writes his scientific research and explorations of the mind with compassion in his well known flowing prose and captivating style.

This book,"The Mind's Eye", by Oliver Sacks, is fascinating, absorbing, and vastly entertaining. Like most of his other books, it is the true story of his personal experiences; this time, with his sight, along with his neurological analysis of what was happening in his eye and in his brain. The optical "delusions" are fascinating, and perhaps difficult to truly appreciate if you haven't experienced them. I have experienced the loss of three-dimensional vision several times, upon awaking - it only lasted a few seconds, thank goodness - and my daughter has had vision problems in one eye due to detachment and folding of the retina - she sees a normal view in the bottom half of that eye's sight, but on top she sees only a quarter of the scene, and it is turned sideways. And the most amazing thing is not what the (physical) eye sees, but what Sack's brain does with that information. Probably everyone has experienced - whether or not they realized it - the completing of a scene over the natural blind spot of the optic nerve connection at the back of the eye ball, or the continuation of a motion that you didn't actually see. Although he mentions some of his other books - "The Man Who Mistook His Wife For A Hat", and "Awakenings" (made into a wonderful movie starring Robin Williams), you do not have to have read those to appreciate and be highly entertained by "The Mind's Eye." I strongly recommend this book.

The wonderful thing about Sacks' books is that his stories never grow stale. He continues to inform, enlighten and entertain readers with his fascinating case studies, which date back to Migraine (1970). Sacks has long infused his stories with personal anecdotes, but in this book he reveals his own battle with eye cancer which resulted in the loss of his prized stereo vision, telling us about his love for stereoscopes dating back to his childhood.The book focuses mostly on visual perception and how the mind processes this information through its dense neurological framework. The initial case studies deal with persons who have suffered perceptual damage due to strokes. He refers back to several of his previous works, notably The Man Who Mistook His Wife For A Hat and provides a number of historical insights into visual perception, as he tells of persons who have suddenly lost their ability to read and even differentiate everyday objects around them.Perhaps his most interesting chapters are those on stereo vision. The first about a woman who was able to regain her stereo vision with corrective work on her eyes, and his own sad loss of stereo vision due to cancer in one eye. Here, he provides wonderful historical insights into visual perception, references a number of key works, and provides an interesting glimpse into his own life.He closes with a fascinating chapter on how persons deal with blindness, starting with John Hull, who essentially accepted his blindness and came to rely on his other senses to perceive the world around him, to a boy who developed a powerful sense of echolocation to compensate for his sudden blindness, to other cases where persons learned to build elaborate internal visual worlds to compensate for their loss of "vision." No two cases are alike and Sacks once again shows a wonderful sensitivity to his patients which make his books so appealing.

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Sabtu, 18 Juli 2015

Download Ebook Everybody Paints! The Lives and Art of the Wyeth Family, by Susan Goldman Rubin

Download Ebook Everybody Paints! The Lives and Art of the Wyeth Family, by Susan Goldman Rubin

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Everybody Paints! The Lives and Art of the Wyeth Family, by Susan Goldman Rubin

Everybody Paints! The Lives and Art of the Wyeth Family, by Susan Goldman Rubin


Everybody Paints! The Lives and Art of the Wyeth Family, by Susan Goldman Rubin


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Everybody Paints! The Lives and Art of the Wyeth Family, by Susan Goldman Rubin

From School Library Journal

Gr 7 Up—Reminiscent of the Duchamps of France, the Wyeths are a family of painters: three generations, in fact, of artists. Here, the author gives a chronological account of how the Wyeth men came to be painters and of how their lives intersected. This "first family of American art" began with Newel Convers (N.C.), Massachusetts-born in 1882, oil painter and noted illustrator for both major magazines and a series of children's classics such as Treasure Island. His son Andrew (1917–2009), whose initial artistic success came at the young age of 20, originally used watercolors to create scenes of Maine life, then switched to tempera to paint works such as his poignant "Christina's World." Andrew's son Jamie, the only one of the three still alive, uses combined media to create his portraits of dogs, friends, and neighbors. The text is clear, concise, and very complete for such a slim volume. While the family's existence in the Pennsylvania countryside and the sea coast of Maine often seems idyllic, Rubin does not shy away from recounting family eccentricities, disagreements, and problems. The women in the three artists' lives are shown to be important influences in the men's work, but all of them remain in the background. This well-told biography is beautifully illustrated with color reproductions of all three artists' works and a few black-and-white family photos. While Robert D. San Souci used N.C.'s illustrations to accompany his picture-book text in N.C. Wyeth's Pilgrims (Chronicle, 1991), and Richard Meryman's First Impressions: Andrew Wyeth (Abrams, 1991) is recommended for teenagers, Rubin's is the first title to combine the lives of all three artists in a work geared to a middle school audience. An ideal introduction to the Wyeths.—Nancy Menaldi-Scanlan, formerly at LaSalle Academy, Providence, RI

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From Booklist

*Starred Review* Similar in format to Rubin’s Wideness and Wonder: The Life and Art of Georgia O’Keeffe (2010) and Delicious: The Life and Art of Wayne Thiebaud (2007), this colorful little book takes on the challenge of introducing three generations of artists in the Wyeth family, and it appears to be the only book on any of the Wyeths published for young people in more than 20 years. A student of Howard Pyle, N. C. Wyeth found early success and a lasting reputation for his dramatic illustrations in magazines and books. Trained by his father, Andrew Wyeth is remembered for his realistic portraits and landscapes. Apprenticed early in life to his father, Jamie Wyeth is best known for his haunting paintings of people and animals. While focused primarily on the artists’ lives and their work, the clearly written text also describes the Wyeth households and family dynamics from generation to generation. Rubin adroitly meets the challenge of presenting three artists in one book, letting each story flow naturally into the next, while the occasional narrative overlap reinforces the story as a whole. The clearly written and engaging text, the well-integrated design elements, and the excellent reproductions of paintings and photos make this an informative, visually appealing presentation. Grades 6-10. --Carolyn Phelan

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Product details

Age Range: 12 - 15 years

Grade Level: 3 - 7

Lexile Measure: 920L (What's this?)

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Hardcover: 105 pages

Publisher: Chronicle Books (February 4, 2014)

Language: English

ISBN-10: 9780811869843

ISBN-13: 978-0811869843

ASIN: 0811869849

Product Dimensions:

7 x 0.8 x 8.8 inches

Shipping Weight: 1.1 pounds

Average Customer Review:

4.8 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#1,182,843 in Books (See Top 100 in Books)

great book for adults and children alike.

Great intro to the Wyeth family. Marketed as school-age oriented book but suited me just fine!

Nicely done!

Wonderful book for adults and children. My 9 year old grandson read it after we finished homeschool and was so eager to share the information with us and his 7 year old brother.

For years it was my pleasure to work in the New York Public Library’s Central Children’s Room, located in the Donnell Library. The Central Children’s Room was the crown jewel of children’s literature in the city, and amongst its many treasures (which included a parrot-headed umbrella owned by Mary Poppins/P.L. Travers and the original Winnie-the-Pooh toys) were N.C. Wyeth’s original paintings from the book Robin Hood. I might be mistaken, but I’m pretty sure we owned them all. Certainly we didn’t put them all on display, but a fair number of them were available for the public and they turned out to be quite a draw for the local illustrators. Since those days the Donnell has been sold and the paintings transferred to the main branch of NYPL where they now grace the walls of the President of the library’s office. If you would like to see them it is not out of the question, but it is also not as easy as it once was. I, for my part, haven’t seen them in years. With that in mind, I think it makes perfect sense why I was drawn to Susan Goldman Rubin’s latest artistic picture book biography Everybody Paints! Not content to tell merely the story of one famous painter, Rubin dares to encapsulate the lives of three generations, with a particular focus on one painter in each. N.C., Andrew, and Jamie are presented to kids here in a clear-cut way that honestly displays their very interesting work.Meet the bronco buster. That’s one name you might give to N.C. Wyeth. Born to parents that thought he’d be better suited as a farmhand than as an artist, N.C. set about to prove himself. Before long he was apprenticed to the great Howard Pyle and became his star student. Wyeth became adept at cattle round-ups as well as painting scenes of action and adventure. His talents brought his lucrative illustration projects like Treasure Island, Kidnapped, and Robin Hood. Along the way he sired talented offspring, each of whom had some kind of talent. Andrew Wyeth pursued his art with the same fervor as his dad, but while the fine art community had never officially accepted his father, Andrew was embraced almost immediately. In his footsteps followed Jamie, a painter who could work on everything from picture books to portraits of presidents. This is their story.Writing a biography of the Wyeths for children isn’t as fraught with potential peril as writing a biography of other artists might be. Having cut her teeth on bios about Diego Rivera (Diego Rivera: An Artist for the People) and Andy Warhol (Andy Warhol: Pop Art Painter) the Wyeths must have struck Ms. Rubin as a true relief. This is not to say that there haven’t been rumors floating around them for years, but vague rumors are far easier to elide than numerous confirmed affairs and “The Factory”. The content is presented in a very nice, straightforward style. We meet each Wyeth in turn, and the narrative will slip from one to another without so much as a herk or a jerk. The sections are not particularly long. Indeed, the book itself is infinitely readable at just a scant 112 pages. That means that if a kid wants to do a bit of serious research they may need to find some additional books to cover the material more extensively. That said, Rubin provides the basic overview and allows the reader to fill in gaps on their own. Nothing wrong with that when you’re dealing with children’s book biographies.It was a Kirkus review of this book that sniffed that this particular book is “undersized and overdesigned.” The “undersized” criticism strikes me as particularly silly, perhaps in light of the fact that as a librarian I’ve seen too many art books rejected by child readers because they were “too big” to comfortably carry home. I’m a New York City librarian, so kids in my town have to lug and tote every book they take from the library themselves. There is no helpful waiting car to dump the load into. With that in mind our little patrons become quite savvy in the ways of pick up and retrieval. Imagine, if you will, that you are attempting to woo a kid with the assignment to read a book about a famous artist into reading this book. I can attest that there’s nothing worse than being cut off mid-spiel by a child who points out, quite logically, that the book is “too big”. I mean there’s no comeback to that! So yes, it’s true that the images in this collection aren’t the size that they are in real life. But that is more than made up for when it comes to the sheer number of images present.To the second criticism, that of being “overdesigned”, the book actually one in a series of artistic biographies done in a “gift book” style. Some of you may recall the rather gorgeous Sparky: The Life and Art of Charles Schulz that came out a couple years ago by Beverly Gherman. Like this book it wasn’t afraid to play around with an eclectic design. Lots of large fonts, different colored pages, and images, images, images. In this book Rubin skillfully alternates between photographs of her subjects and their families and their paintings. To an adult, I suppose the layout of this book might feel jarring but I’m quite fond of it. It kept me awake, allowed my eye to travel from text to image and back again freely, and best of all when Rubin mentions a famous photograph it’s right there for you to look at.You see, one complaint I’ve heard fielded at artistic biographies is that they don’t contain enough images of their subject’s work. How are you supposed to care about someone if you can’t see what it is that they themselves cared about? When Ms. Rubin wrote Diego Rivera I adored it. Some librarians, however, wanted a lot more images. Full paintings would be described but never seen. One might point out that in an internet age it’s fairly easy to see pictures of things whenever you want to, but the point stands. A book about an artist should do its duty and give its subject proper due. With that in mind, Everybody Paints! fairly pops with pictures. I don’t know enough about the rights to reproduce painted images in the way Rubin presents them here. What I do know is that she’s done a stand up and cheer job of it. Nothing major feels like it’s missing.In spite of the fact that there’s been a real push to promote great nonfiction books with kid readers, it can be a hard sell. Adults that are my age or older have a hard time remembering any particularly great books of nonfiction from when we were young (and no, the Childhood of Famous Americans series does NOT count). Few of us are aware that we’re in a golden age of great children’s informational titles. What Everybody Paints! does is typify this kind of book. It’s a hard subject that requires a deft hand. And with her abundance of experience in this particular area, Susan Goldman Rubin does her subjects proud. As beautiful as you would expect, and three times as fun as you might think to read.For ages 9 and up.

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Rabu, 08 Juli 2015

Free PDF Scripts and Strategies in Hypnotherapy: The Complete Works, by Roger P. Allen

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Scripts and Strategies in Hypnotherapy: The Complete Works, by Roger P. Allen

Scripts and Strategies in Hypnotherapy: The Complete Works, by Roger P. Allen


Scripts and Strategies in Hypnotherapy: The Complete Works, by Roger P. Allen


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Scripts and Strategies in Hypnotherapy: The Complete Works, by Roger P. Allen

Review

Bringing these two volumes together represents an incredible source of reference for the student and experienced practitioner of Hypnotherapy alike. The most commonly encountered subjects are covered offering a variety of approaches in many cases. It is an essential read for anyone starting out in Hypnotherapy and one I will be recommending to my students. --Stuart Harragan, Harragan HypnotherapyI very much like the structure and organisation of this text. It is so well organised that I would feel comfortable reaching for it in order to discuss options with a client. The learners I have contact with, will find it offers an accessible and pragmatic route into understanding and using scripts. They will be able to use many of those presented here as a basis for weaving words that will be appropriate for themselves and their clients. --Susan Brock, Senior Lecturer, School of Health, University of Wolverhampton'Scripts and Strategies in Hypnotherapy; Complete Works' combines Roger Allen's previous books into one accessible volume providing an imaginative source of scripts that cover the most commonly met cases. For the newly qualified therapist, it is a useful addition and for the more experienced it is a source of inspiration. --Peter Mabbutt, London College of Clincial Hypnosis

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About the Author

Roger P. Allen Dp Hyp PsyV is a practising hypnotherapist based in Portsmouth, UK. He constantly seeks to improve therapeutic practice by integrating into his sessions a wide range of established and experimental techniques and theories.

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Product details

Hardcover: 368 pages

Publisher: Crown House Publishing (February 1, 2004)

Language: English

ISBN-10: 190442421X

ISBN-13: 978-1904424215

Product Dimensions:

6.3 x 1.2 x 9.3 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

16 customer reviews

Amazon Best Sellers Rank:

#1,040,701 in Books (See Top 100 in Books)

I could not be happier with this investment. This will be a book that I reference with regularity. I can combine scripts and develop idea's to tailor scripts suitable for individual clients. It's a lot more than scripts...much to learn and help you develop as a Hypnotherapist. This is a must have for your bookshelf.

I don't think any one in the US would want to use these scripts! I have never heard a hypnotherapist use scripts, techniques or language that was anything like this. I returned this book within minutes of receiving it. The scripts were quite lengthy, and a lot of them were metaphors told in a long, biased story. I would quote parts of it for you, but I already packed it up to send back. This is the first time I have ever returned a book!

It's not a great intro to hypnotherapy, but it is a very useful collection of scripts. My clients find them very helpful.

This was a reasonably-priced, good collection of scripts and techniques. After a brief intro, it gets right to the "meat", that is, scripts that can be used. Not bogged down w/ a lot of theory, which you have already learned in your training!.

It's to the point, tells you what you need to know without all the filler stuff. Lots and lots of scripts. This one is a keeper. Great information to the hypnotherapist. If you are not using this book in your office then get it. Everything that you need is in this book. I don't know were to start, it has everything for any kind of session and even some that I have never seen.

I am a certified hypnotherapist and purchased several script books to add to and modify the scripts I currently use with my clients. This book is fabulous! From induction scripts to deepeners...to therapy scripts of all kinds...even some NLP techniques. I know I'll use this book over and over again as a reference. Wonderful!

This book gave me numerous scripts & explanations. I am happy to add this book to my library & refer back to it within my practice.

The book covers a lot of ground. It's an essential resource for doing hypnosis and hypnotherapy, and the many scripts are very useful. I don't think you will be disappointed owning this book.

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